Tundra is composed of uncanny encounters of motionless signs traveling through time. The choreography is perceived as a physical exercise of a theoretical question, probably admit of no solution. Through past moments, it sets them in a process of remembrance, elaboration and repetition and confronts the sense of the uncanny. Moments owed to remain hidden create flows of present using materials from the past  and conjectures of the future.
Addressing the question of time as fragmented moments within an indivisible continuum. The research was based on the use of photographs and the relation between silence and music with movement and stillness.